The article also identifies specific characteristics of his novels in term of their titles, themes and settings with reference works by Indonesian writers of the same period. Iwal ti ta, istilah sjn nu dipake dina pustaka Sunda mah ngan ukut sajarah, misalkan sajarah Sukapura, jeung lain sajabana. Misalna carita Parahiyangan, carita Ratu Pakuan jeung carita Waruga Guru. Ari Sammehna mah di urang ngan ukur disebut carita ba. This article brings together several aspects of Panji Tisna’s life, highlighting the relationships between his life experience and the creative process and the characteristics of his novels to emphasise that all the published novels of Panji Tisna have close connections to his personal life experience. Babad Sunda nyata wanda carita anu miboga ajn sajarah atawa carita anu raket hubunganana jeung sajarah.
A lot has been written about the literary work of Panji Tisna and his biography has appeared in the form of newspaper articles and theses. Alongside other prominent Indonesia authors from the 1930s, Panji Tisna belongs to the Generation of Poedjangga Baroe, named after the literary journal titled Poedjangga Baroe. Sukreni Gadis Bali has emerged as something of a classic in the Indonesian literary canon. In the 1930s, he published three novels including Ni Rawit Ceti Penjual Orang (1935), Sukreni Gadis Bali (1936), I Swasta Setahun di Bedahulu (1938), which are still in print today.
Panji Tisna is the first modern Balinese writer to enter the stage of Indonesian literature.
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